David Shaw
The Revivalists front man defines what it means to follow the energy even if it comes with a cost.
The Revivalists front man defines what it means to follow the energy even if it comes with a cost.
Joy Clark's shared story are just part of what makes her new album so wonderful.
Tim Lappin steps out from being an in-demand accompanist to make music on his own terms.
Eliza Klatt & Co. are finally making the kind of music they've wanted to make all along.
Will Dailey tells us the story behind The $10 Song and a new album that will never be digital.
James Baluyut fills us in on the last decade and why the trio took so long to return with an LP.
Euan Smillie on the band's origins and reaching to the States for the first time.
Craig Minowa introduces us to the tiny cabin and the self-emptying process that gave rise to his new album.
Pony Bradshaw sums up his trilogy of albums and the places he's dying to go next.
Ben Mabry details the creation of the band's most confident recording sessions yet.
Alex Bailey takes us through Eggy's evolution to forging stronger chemistry and making better music.
Scott Terry explains why he's more proud of the band's output than ever before.
Ian McGuinness talks about sacrificing quantity for quality and what it meant for Side Saddle's latest EP.
Lily Hiatt opens up about her songwriting process and her ability to pivot in the industry.
Siri Undlin cranks up the amps and a bit of (righteous) anger for Humbird's latest.
Adam and David Moss talk about their musical household and creative chemistry.
Behind the descriptive imagery and creative process of The Bones of JR Jones
The former Hey Rosetta! front man talks about the need for creative friction.
Joe Pug discusses his tribe and the gap between musical ideas and final output.
Nate Kinsella finds the healthy space to not care what anyone thinks anymore.
Marika Hackman trafficks in melancholy, and that's especially true of her latest album.
Trent Wagler details what it means for a band to do the internal work to stay grounded.
Joe Hammill discusses the band's return to their original sound on the new album, Golden.
The Wandering Hearts hone their sound and gain more confidence on latest singles.
The Nashville singer-songwriter talks about the journey toward a "beautiful surrender" in recent years.
Harry Springer tells us about the growth curve of his first headlining tour.
The Chicago rapper talks about his place, the pandemic, and the songs were that were supposed to lift him higher than they have.
Walter Woodman talks about the trio's new album and the creative tension of working on so many projects.
Max Kerman discusses the lessons in restraint learned on the band's ninth album.
David Stern talks about his "varied" new album and the patience required to make it.
Fast Romantics emerge from the pandemic with a dynamic album and healthy outlook.
Lauren Denitzio returns with a rewarding album that's the culmination of her journey to date.
Terry Price reflects on his pursuit of a balance between impressionism and truth.
Jill Andrews says she's learning to ask for what she wants
Pete Francis talks about the very real struggles and hopes behind 'PTRN SKY!'
'Strangers No More' represents an even greater level of togetherness for the band.
Ted Joyner and Grant Widmer on the romanticism that keeps them moving forward.
Naomi Hamilton discusses the liminality that allow her art to exist in the first place.
Oliver Wood joins our podcast to discuss the importance of creative distractions.
Brady Parks talks about the full-band summit that led to their latest album.
Natalie Carol on the internal and external shifts required to find Valley Queen's current footing.
Darren Jessee keeps leaning into the work hoping to build a Central Bridge to the listener.
Dylan MacDonald is back with new(er) songs and an altered creative approach.
Elizabeth Moen's vocal work and vivid imagery are a powerful combination.
Dave Rowntree finally steps out on his own after years of drumming for Blur.
Caleb Chapman says the band's new album is a portal for a new chapter going forward.
Pony Bradshaw explains why he's feeling comfortable in his artistic skin these days.
Marc Byrd talks about the push-pull in the studio for their latest, 'Love in the Void.'
Jeremy Greenspan takes us inside the Waiting Game for the first Junior Boys album in six years.
Keith Murray on what the band has learned about what works and what doesn't after 20 years.
Jess Abbott discusses a much-needed reprieve and making music on the other side.
Sarah Shook leaves the Disarmers for a moment to make music on her own terms.
The Charlatans front man talks about chasing and completing the double album.
Brooke Annibale emerges from the pandemic with an emotionally-charged new album and plenty of gratitude for it all.
A reflective season gives way to clarity for the road ahead for Andrew McMahon.
Anna Tivel talks about the joys of gathering stories and the release of her beautiful new LP, Outsiders.
Marcus King rarely "comes up for air" but he reflects with us a bit in this latest interview
The spacious pop palette of Brijean is a captivating response to a world of grief.
The young songstress details the beautiful tension on her incredible new album, 'Revealer'
Conor O’Brien is trying his best to avoid “the algorithm blues"
Joshua Henry on staying tuned to that most important voice of all
Kathryn Calder and Mark Andrew Hamilton talk about the joy of recording together as Frontperson.
Ren Aldridge details the passion and exhaustion fueling Petrol Girls these days
Tarek Jafar and Justin Tessier discuss creative chemistry and opening up to new ideas.
The veteran songwriter discusses the heartfelt joys and hard decisions in making an album.
McKellar reflects on the end of Civil Twilight and the work of his own hands.
Judah & The Lion emerge from the cocoons of a pandemic ready for a Revival.
Ben Stidworthy tells of Ought's breakup and the ease of making music under new circumstances.
Martin Early emphasizes authenticity and its place on the band's new album, 'Clouds'.
Judah & The Lion's Brian Macdonald emerges with a beautiful new project borne from Swedish isolation.
Aubrey Haddard clarifies her artistic voice on her sensational sophomore record.