The difference you hear is in the level of ownership.
To hear Taylor Dupuis tell it, the palette has expanded on Roanoke's newest release, Where I Roam, a five-track EP layering new instrumentation and ideas atop the band's Americana-influenced pop of their debut. Per Dupuis, it's the beauty of having all five members own the songwriting process for the very first time.
One listen through the new EP is a compelling enough argument for Roanoke as Nashville's most under-appreciated band. The harmonies, the chemistry, the sonic flourishes that fill the weathered spaces—it all works to perfection on tracks like "Tennessee Stone" or "Silent Films" or "I'm Coming Home." It's a familiar Nashville amalgam of Nashville pop, but Roanoke has no issues making it their own.
On the verge of setting out for a new set of late summer tour dates, we sat down with Dupuis to ask about the band's genesis, their second album and the challenge of living with bandmates.
Analogue: When the debut is finally in the rearview mirror, what's the mindset for heading into a second album? Do you all stop and say, 'Okay, how did all of that go?'
Taylor Dupuis: I get what you're saying. Well, with the first album, we had the opportunity to record and we were a very new band. We had these songs and so we went into the studio to record. We're very happy with what we came out with, but we were so not ready to record. We released these songs and the whole thing took two years. That whole time, we were growing as musicians and songwriters, adding different sounds, so when we finally had the opportunity to record again, we were ready. We were ready to try new things, and we'd grown a lot as a band. We wanted to show people that.
Through touring and making money off of that, we were able to record again. We brought a manager on board and he really helped us move things along. There's so many of us, so it takes us a long time to actually make any decisions at times. [Laughs] But mentally we were definitely ready and very excited.